MyProof metal core ban from japan

MyProof adalah salah satu
contoh utama dari sebuah band
Jepang yang menempatkan
dirinya pada batas-batas
sebuah kreasi yang
menggunakan totalitas teknis
dari kemampuan mereka
(tanpa menggunakan effect
suara dalam setiap lagu-
lagunya). Band ini mengusung
aliran Metalcore dari awal
karirnya dan beberapa lagu
ballad sejak awal
terbentuknya band ini (Album:
Reason For My Justice, 2006,
Label: Gods Child Music)
Dengan gamblang mereka
menyebutkan bahwa IN
Flames dan Arch Enemy
sebagai inspire dalam
musikalitas mereka.
Mulai di album Sky Of Destiny
yang dirilis pada 2007 (Label:
Akashi.Inc [Self Label]),
mereka mulai melebarkan
sayapnya kearah Melodic
Death Metal yang sekarang
menjadi salah satu aliran
utama dari band ini, perubahan
aliran ini sepertinya menuju
kearah kemajuan karena
semakin banyak peminat dari
band ini bermunculan, dan yang
menjadikan idealisme mereka
tak tertinggal adalah mereka
tetap membawakan Metalcore
pada beberapa lagunya.
Salah satu band yang
mendapatkan apresiasi besar
dari Kritikus Hardcore & Metal
Dunia, sehingga band ini
kemudian dinobatkan menjadi
salah satu band Self-Label non-
scene Pendatang Baru Paling
Bersinar di Jepang.
Nama Band: MyProof
Genre: Metalcore /Melodic
Death Metal
Lagu-lagu Rekomendasi bisa
langsung didengarkan di
Fanpage MyProof Official
dengan daftar sebagai berikut:
Link ~> http://
www.facebook.com/
myproof?v=app_2405167945
- Keep For The Future (Album:
Reason For My Justice):
- In The Name Of Justice
(Album: Reason For My
Justice)
- Infinite Heart (Album: Reason
For My Justice)
- Pupil Of Astraea (Album: Pupil
Of Astraea)
- Invisible Force (Album: Pupil
Of Astraea)
- Flower Dance (Album: Pupil
Of Astraea)
Youtube & SocialTube:
- Kill My Emotion (OST. Darker
Than Black from Album Reason
For My Justice)
http://www.youtube.com/
watch?v=sIq2l40Kuos
Previewing Songs:
http://www.mp3mixx.com/
album/myproof/reason_for_
my_justice-1525307
present member :
Thor - Vocal, Piano
Shimpei - Guitar, Vocal
Kai - Guitar, Choir
Tadashi - Drums, Percussion
Label:
Akashi.Inc
Trinity Records
Links:
www.myproof-jp.com
www.myspace.com/myproof
www.facebook.com/myproof
so..lihat dan saksikan perfom
mereka dalam rangkaian tour
kali ini bersama : wynken
delirium ( mys )..
ossuary ( sgp)..flyoverscene
( bekasi /indonesia).
tour yang di beri tema : Unity
IS Strenght ( south east asia
tour 2011 ) 4 - 13 FEBRUARI
2011...Indonesia,Singapore ,
Malaysia.

jellyfish band visual kei cover japan !

Jellyfish mulai terbentuk diakhir
tahun 2008,di saat bulan Desember.
Dipertengahan bulan tahun 2008,
jellyfish masih bernama “Flush
Unko Bye-Bye” yang dahulu
mencover lagu-lagu dari Antic Café
(an-café) dengan 5 personil yaitu
Kay, Taku, Iru, Bio, Tian.
Di bulan November 2008 terjadi
perpecahan di band ini karena sang
vokalis Kay akan melanjutkan
studinya di Jepang, dan terpaksa
Flush pun kosong vokalis.Akhirnya
keempat personil yang tersisa
memutuskan untuk mencari vokalis
baru. Di bulan November 2008,
Flush pun berganti nama menjadi
Jellyfish, Posisi vokalis diganti oleh
Aria. Jellyfish pun berganti genre
musik dari oshare kei ke Visual kei
Contoh : Alice Nine, Vidoll,
TheGazette,dll. Lagu-lagu yang
dimainkan Jellyfish kebanyakan
bernuansa J-rock dan sedikit
sentuhan-sentuhan J-pop juga
didalamnya.
Jellyfish atau biasa disingkat dg
nama “J.F” ini terbentuk oleh 5
personil yaitu Aria (vokal), Taku
(gitar), Bio (gitar), Iru (bass),
Tian (Drum), dan juga Aline
(manager) yang selalu setia
mendampingi jellyfish setiap saat.
Disetiap live performance Jellyfish
juga memiliki beberapa personil
additional seperti Dayat
(keyboard ) dan Ryo(keyboard).
Walaupun saat ini Jellyfish masih
menjadi covering band tapi ini tidak
menutup kemungkinan Jellyfish
untuk berkarya dengan lagu-lagu
original pula. Jellyfish juga terus
berusaha keras untuk berkembang
dan lebih baik lagi dalam bermusik
untuk kedepannya, dan
meningkatkan kualitas musik sebaik-
baiknya untuk lebih maju di dunia
permusikan J-indo maupun Publik di
masa depannya.amiin...

Dir en grey profile

Dir en grey
Members:
Vocals: Kyo (Nishimura Tooru)
Guitar: Kaoru (Niikura Kaoru)
Guitar: Die (Ando Daisuke)
Bass: Toshiya (Hara Toshimasa)
Drums: Shinya (Terachi Shinya)
Â
Composer/Lyricist: Dir en
greyÂ
Label: Free Will Records,
Firewall Div, Warcon Enterprises
Albums:
MISSA - 25 Jul 1997
Gauze - 28 Jul 1999
Macabre - 20 Sep 2000
Kisou - 30 Jan 2002
Six Ugly - 31 Jul 2002
Vulgar - 10 Sep 2003
Withering to death - 9 Mar
2005
BACKGROUND
Dir en grey is
a Japanese
rock band
that is widely
recognized,
both in Japan
and
worldwide,
for their
unique and
raw rock
sound as well
as their tragic
and pain-filled lyrics. In their early
years, they were firmly visual kei,
which is a term that is used for a
band with a flashy - sometimes
even downright crazy - fashion
sense that is meant to shock the
audience and enhance live
performances. Over the years, their
visual kei style morphed into a more
standard-looking, but harder, rock
style. Throughout the years and
visual transitions, though, the focus
of their songs has always been
upon the ugly side of life, with
topics of songs ranging from
depression and suicide to abortion
and rape. The lyricist himself
declared that he would never write a
happy song, and for nine years
hope has not been present in their
lyrics. But fans of Dir en grey aren’t
looking for hope; in fact, it is the
group’s ability to exquisitely express
pain through raw melodies and
passionate vocals that has led to
their success.
Dir en grey formed
in February of 1997
out of the ashes of
the indie band
La:Sadie’s, which
had the current Dir
en grey lineup
except for the
bassist Toshiya. With the addition of
Toshiya to the group, Dir en grey
was born. Their first mini-album,
MISSA, was released only seven
months later. The flashy visual kei
stylings they adopted at that time,
as well as their unique music
potential, quickly caught the eye of
talent-spotter and former X Japan
member Hayashi Yoshiki. Yoshiki
took over production of their music,
and almost overnight, Dir en grey
became a success.
Under Yoshiki’s
musical guidance,
they released Gauze
and a number of
singles. With dark
lyrics and impressive
complexity to their
music, they rose to a
high position on Japanese music
charts. Macabre, their second
album, was released only shortly
afterwards, and built off of the style
they had developed in Gauze. By
their third album Kisou, though,
their sound had begun its evolution
into one that was harder and more
raw. By Vulgar, Dir en grey had
completed the transformation from
visual kei band into metal/hard rock,
and they continued the trend with
Withering to death. This constant
re-invention of their style allows
them to stay fresh and unique, with
each album clearly different from
the one before it.
Throughout all the
stylistic changes,
however, their focus
has always remained
the same. The lyrics
to songs from any of
their albums are
always shocking and
moving, and the imagery can be
gut-wrenching. They discuss
abortion from a fetus’s point of view
(”Mazohyst of Decadence”), and
child abuse from the eyes of a girl
who, carrying the child from her
father’s assaults, cracks and kills him
(”Embryo”). They don’t shy from
talking about suicide (”The Final”);
they passionately sing of the
tragedy of losing people who can
never be replaced (”ain’t afraid to
die”). Dir en grey doesn’t linger
merely on gruesome ideas, nor do
they play such songs merely to
entice the morbid. Instead, as they
run the gamut of negative human
emotion, it is a catharsis of sorts for
them as well as for their audience. It
is a way for them to express
emotions that are normally hidden
from our attention, emotions that
are ignored because they can hurt
too much to contemplate.
While they have yet
to achieve
mainstream success
in Japan, Dir en grey
are definitely a major
cult phenomenon
and their fanbase
continues to grow.
Since 2001, Dir en grey has
expanded beyond Japan. They’ve
played concerts across Asia, in
places like Shanghai, Hong Kong,
and Korea, as well as in Europe at
the renowned German music
festival Rock Am Ring. In 2006, they
moved into the US, performing
showcase concerts across the
country and selling out halls with
seating in the thousands in mere
hours, a major achievement for a
band with absolutely no US radio
airtime or advertisement. Their
performances caught the eyes of
other US bands, and they were
quickly scheduled to perform on the
main stage with KoRn on the Family
Values Tour 2006. Their official
website declares that they intend to
take the world by storm, and they
seem poised to do just that. With an
upcoming release of a new single,
they show no signs of slacking any
time soon.

Selamat ulang tahun febry ava falcon

*sing with guitar *
Hey you
I know I'm in the wrong
Time flies
When you're having fun
You wake up
Another year is gone
You're twenty-one
I guess you wanna know
Why I'm on the phone
It's been a day or so
I know it's kinda late
But happy birthday
Yeah yeah whoa oh
I know you hate me
Yeah yeah whoa oh
Well I miss you too
Yeah yeah I know
I know it's kinda late
But happy birthday
So hard
When you're far away
It's lame but I forgot the date
I won't make the same mistake
I'm so to blame
Now you know
Don't hang up the phone
I wish I was at home
I know it's way too late
But happy birthday
Yeah yeah whoa oh
I know you hate me
Yeah yeah whoa oh
Well I miss you too
Yeah yeah I know
I know it's kinda late
But happy birthday
It's not that I don't care
You know I'll make it up to you
If I could I'd be there
Yeah yeah whoa oh
Yeah yeah whoa oh
Well I miss you too
Yeah yeah I know
I know it's kinda late
But happy birthday
Yeah yeah whoa oh
I know you hate me
Yeah yeah whoa oh
Well I miss you too
Yeah yeah I know
I know it's kinda late
But happy birthday
To you


mungkin aku hanya bisa bernyanyi ini untukmu feb, meski sekarang mungkin kau membenciku entah kenapa sebabnya *banjir*
gak ada setahun kita saling kenal.Tp bgku km adalah orang yg peduli dg aku. Andai kau masih disini aku ingin jadi orang pertama yg mengucapkan selamat ulang tahun padamu. Selamat ulang tahun ke 21 brother. Aku berharap km dapatkan kebahagian selalu di hidupmu. Meski kau tak ingin mengenalku lgi tp, aku masih menganggap kau sahabatku.

To febry ava falcon,

PEMBENTUKAN KEPRIBADIAN

Nilai2 yang ada dalam masyarakat memiliki peranan yang besar dalam proses sosialisasi bagi warga masyarakat yang sedang membentuk kepribadianya. Dalam proses sosialisasi tersebut nilai2 yang diserap,dihayati, dan diterima oleh masyarakat untuk dijadikan acuan,sumber motivasi dan petunjuk arah dalam bersikap dan bertingkah laku,serta dijadikan benteng eksistensi masyarakat yang bersangkutan. Jadi, nilai2 yang telah ikut mewarnai bentuk kepribadian warga masyarakat. Agar nilai2 itu tetap eksis, dihargai dihormati, dan dijunjung tinggi, maka perlu diciptakan norma2 untuk melindungi nilai2 luhur yang ada dalam masyarakat.

What is Norma?
Norma adalah aturan2 yg mengandung sanksi. Jika dilanggar maka, si pelanggar dikenai sanksi sesuai dg berat ringannya pelanggaran. Stratifikasinya adalah usage, folkways, mores, custom. Norma umum meliputi norma moral,kesopanan.kelaziman, dan hukum. Norma khusus (pranata) terdiri atas pranata keluarga ekonomi,politik, edukasi ,agama ilmiah,estetika,dan fisik


tot yuka lagi puyeng,post tulisan gaje. Hehehehehe

∞ red dReam ∞: Girugamesh - Owari To mirai [lyric]

∞ red dReam ∞: Girugamesh - Owari To mirai [lyric]: "Owari ga kite mo kasaneta [MONO] wa nokotteite shinjitsu ga nakutemo shinjita koto ni imi ga aru to omoeru you ni natta Ano koro wa kawaru ..."